My work incorporates remnants and belongings of loved ones and strangers that I regard as relics: hair, human ash, discarded objects, clothing, and fabric that have lived a life before me. Through assemblage, I construct installations that function as shrines and memorials, not to a single entity, but to a feeling held in a moment. Shrines to a hurt feeling, a dance floor I miss, a lost loved one, or a missed opportunity.

My practice is both sculptural and painterly. The work seeks to take up space, spilling outward and resisting containment. I follow instinct in my making, prioritizing what feels pleasurable, intuitive, and immediate. I staple, glue, and bind materials in ways that leave the gestures of construction visible, emphasizing process over concealment. The work is modular, with elements that can be rearranged, repurposed, and recycled into new configurations.

I work with fabric, found objects, clay forms, paint, glitter, and other materials that hold a particular kind of magic in my eyes. My relationship to these materials is deeply personal; each carries its own associations, histories, and possibilities for transformation. Within my sculptures, I seek to create something that exists between an altar, a shrine, and a container: a place to hold what remains, give form to what is felt, and make space for the things that might otherwise be lost.